Transvestia

one.

But these percentages take a literal "dive" when two TV's go out dressed. And the situation becomes even more risky if there are more than two TV's in the group. The shortcomings of one are multiplied when next to the shortcomings of the other. The ideal going out situation is to be one TV among non-TV's. Two TV's riding in a car run a much smaller risk than the same two TV's getting out of the car and walking into a store to do some shopping. In this case it is much wiser to let one of them (the one who passes best) go into the store. Of course the problem becomes extremely touchy when it comes to deciding which one passes better than the other. This is one subject where most TV's do not agree. We are extremely conscious of our friends' shortcomings and peculiarly blind to our own. This mental attitude can be rather amusing sometimes. I know one TV who walks like Charlie Chaplin in heels. And yet this very same TV takes great delight in making fun of another who happens to walk pigeon- toed. Well?

And speaking of shortcomings, here's another difference between feminine and masculine movement; my dance teacher brought this up at one of our les- sons. She pointed out that a woman can twist her torso using her waist as a pivotal point (hips mot- ionless) to a much wider angle (or to greater degree right or left,) than a man is able to. There is a peculiar stiffness attached to a man's movement in this body area which is seldom found in women. And by extension, the same thing applies to the neck. A woman's chin can get much closer to her shoulder when turning her head than a man's. She has a more pliable, elastic neck than a man. And she can make an incredible series of independent movements which a man is usually totally unable to perform without involving big chunks of his body in the operation. Therefore, a graceful TV MUST exercise in order to slenderize, his waistline. This gives him not only a better appearance but enables him to achieve that freer waist motion which is characteristic of the GG.

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